Why facial scarring persists as lazy shorthand for Hollywood bad guys | Film | The Guardian

Why facial scarring persists as lazy shorthand for Hollywood bad guys | Film | The Guardian

It’s as old as cinema itself: if you want to drive home a bad guy’s nefarious nature, give them a big facial scar. From Darth Vader to The Lion King’s imaginatively named Scar, for as long as films have existed, film-makers have conflated disfigurement with mental instability or malevolence. The trope is still going strong in Avengers: Infinity War and Solo: A Star Wars Story – physical otherness equals evil.

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How Disney Seeded the market for Black Panther Success

How Disney Seeded the market for Black Panther Success

The share holders of Disney (the parent company of Marvel Studios) would not be happy taking that level of risk, irrespective of the excellent story and design that makes up, along with its cast surely the best superhero film of 2018. No, Black Panther (2018) is part of a larger strategy that Disney has devised to make itself and its catalogues more reflective of the USA (and by extension) increasingly demand for multiracial and multicultural content whilst at the same time not alienation it more conservative (read white) base that it has build up over the companies history. 

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